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“Terrain vague” series, No. 1 and series, No. 2 (proposal)

For DISRUPTION, I propose a public space intervention that incorporates concepts of land art, and performative photography.

“Terrain vague” series, No. 1 and series, No. 2 (proposal)

Public Space Intervention and Performative Photography.
Denise Olivares

The Horse Palace
“terrain vague” series, No. 2 (proposal)
I am drawn back to the horse palace, by the presence of the trees that inhabit its surroundings. My artistic endeavour seeks to respond to the essence of these trees, creating a tangible structure that serves as an extension of their natural beauty.
In my exploration, I envision an embodied intervention, using the snow, that engages with the trees and the space.

The Horse Palace
“terrain vague” series, No. 1
In my initial artistic intervention, I found myself immersed in an unplanned and whimsical exploration of space. Using yarn and string, I gathered leaves and twigs, shaping them into a loose bundle. The act of turning and rolling gradually transformed the bundle into an oblong form, that I could cradle within the crook of my arm. It briefly reminded me of how I used to cradle my children when they were babies.
Inspired by the moment, I decided to connect the bundle to the surrounding fences using a long red string. After a while, I decided to dismantle the connections. Carrying this entwined creation, I sought out an opening where a tree's bark had split from its trunk. Delicately placing the bundle within, I allowed it to linger for a brief moment before retrieving it.
Back at home, the bundle became a vessel of sensory exploration as I carefully unraveled its contents. The intertwining elements of leaves, wood, and yarn released the sweet aroma of balsamiferous resin with each reveal, creating a multi-sensory experience that echoed the spontaneity and beauty of my initial encounter within the space.

Denise A. Olivares is a Chilean-born art educator and interdisciplinary artist working and residing in Tiohtià:ke/Montreal. Inspired by her family's history and culture, her textile and installation works focus on themes of memory, identity, and the archive. Through photography, her “urban sightings” often draw on a minimalist approach, situated somewhere between photo documentary and serial photography. Over the last decade, she has been developing a body of work that explores her identity, body, and movement through photo and video performance.

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